the album attains a unique harmony while drawing from a myriad of beliefs and practices. syncretism appears not only in the name but in the artwork and the music itself. the independent tonal passages draw on aspects of varied genres while creating a remarkably coherent yet homogeneous work. lvis mejía explores in his second album, topics of the christian religion and the history of man. deftly placed style and tempo contrasts express the various antagonisms found in this discourse. with the use of contemporary music in combination with hints of jazz, mejía designs spherical soundscapes, therefore allowing for musical deformations, hence the title aforma. the result is an experience that evokes abstract musical impressions. a reference to christianity is also embedded in the track order as the first piece patefactio opens the musical event much like a christian mass. the travel proceeds through the lurking clerical chants of aeternus-the final trial, whilst the bells are then calling us to mass with the track in dissonata apocalypse and continuing with the ontological concept of belief in in ghost we trust. everything comes full circle with the history of homo errata as a conglomerate of human errors. this final piece serves also as a link to the second part of the album anthropology of amnesia a musical description of repression and forgetting as a condition of life, which has emerged as a theme of human existence since the beginning of recorded history. with this opening piece artist and musician lvis mejía has created a magical musical experience, leaving us eager for its sequel.

ol is coming back to gost with his first double lp - a one hour masterpiece that sums up his research of the soviet sound heritage. the album titled “height difference” fluctuates through different genres and tempos reflecting the ups and downs of daily life. this refined and sincere work showcases the talent and unique sound of a prolific russian producer.

norwegian producer tony anthem is well known and respected for his solo work as well as his contributions to both gunman and the legendary drum & bass dup future prophecies... for his latest offering, tony teams up with london based vocalist doctor for a couple of jungle flavoured dance-floor slayers in the form of “i love it” & “tears of mine”. “i love it” is an uplifting and bass heavy dedication to the beautiful art form we all love... music. jungle vibes and sweet vocals make this one a perfect fit for the airwaves! “tears of mine” again utilises doctor’s sublime vocals and tony’s rolling beats to full effect as the duo come with a grittier image this time of inner city life. pure fire! the combination of tony’s lazar sharp production and doctor’s awesome voice make this a must play on the both the dancefloor and the fm’s all over the globe!

the sounds of dustin wong & takako minekawa are a coalescence of the complexities of life, with the sheer joy of imaginative creation. are euphoria continues to dive deeper into the dreamlike technicolor tapestries their songs have always explored, blossoming forward with each cycle of loops. completely characteristic of their style, wong and minekawa achieve a density of textures, timbres, beats, and harmonies while remaining totally weightless, suspended in the air.

3lp with download card included.
dj-kicks has tapped up life and death label founder dj tennis for the next instalment in its long running and landmark series, which is due for release on 14th july. the italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesn’t disappoint.

beautifully crafted, ancient futuristic rhythm textures in (micro)cosmic time signatures

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth.the underworld was also the residence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points between the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat. duat (or duatrecords) is a label by amin fallaha and r100

2021 repress!!! x-ray records catalogue is as under the radar as it is rich and ahead of its time. releasing between 1992 and 1994, most of the label s outputs were produced by raymond castoldi. although people primarily know castoldi for being the music director and organist in madison square garden, he also has a lesser known chapter of his life. in the early 1990s, raymond released 6 eps on his imprint x-ray records. by coupling his musical education with a four-on-the-floor club pattern, castoldi managed to create a jazzy vibe with spaceous sounds and keyboard jams, all coalescing into a relaxing atmosphere that would eventually become the signature sound of 90 s deep house. in partnership with castoldi, kalahari oyster cult delivers the goods once again: 11 tracks from the x-ray catalogue over a 3lp for your deejaying pleasure.

nature never sleeps.... for the fifth release talismann arose and harvested the life-force energies of the oldest and biggest trees known to man. their supranatural frequencies will creep down your spine and massive base will simply leave you gnarled, twisted and unrooted.

following an incredible sophomore album for mörk and a stunning self-released white label, grant graduates to the lobster theremin main label with a full ep proper of signature studio deep house.
refined song-writing, valve warmth, studio air and dusty edges, grant’s production style has taken on a life of its own as he’s progressed from early split eps on the lauren bacall to entering the lobster fray. his influences, also showcased via his temporary state label, are worn on his sleeve albeit with a unique sonic quality and structured tension & release that is mastered by so few over such a lulling, woozy template of sound.

nice price deal !!! known in a previous life as alex romano he now returns under his new alias widyck to his old love ... disco! two tracks which will lead you through the era of disco and italo ... if you know your classics ,-)

since 2007, ulterior motive have been providing devastating future dance floor funk for the most discerning of drum and bass lovers. since releasing their debut album and a tranche of singles on seminal label metalheadz, 2017 now sees them finally launch their own imprint guidance. guidance: initially starting life in 2007 as an event, guidance has gone full circle and will now be the label and home for their music. it promises to be a name that stands for the aesthetic the duo have become infamous for, beautifully and intricately crafted music and sound that can shake any venue to it’s very foundations. guidance 001 showcases four powerful yet also varied tracks from the pair. they join forces with one of the best to ever host, sp:mc, on ‘the wobbler’, and also team up with production wizard icicle on ‘anode’. two more solo tracks from the pair in the form of ‘clap ya’ and ‘kamakura’ wrap up an exquisite first release that highlights the pair’s formidable intentions for the future. support from: dbridge, skeptical, xtrah, dlr, ant tc1, jubei, friction, icicle & rockwell.

dystopian dreams are often used by our minds to try out new, scary scenarios. they are the perfect playgrounds because they combine elements of our real world with speculative elements that do not exist in real life. viers gets to work on his own visions of dystopia, with this menacing 12” tripped with hidden spooks and monster pummel lines.

australias superbreak crew return with their 2nd release this time bother j teams up with aston agassi for a funky 4 tracker. superbreak has released a number of singles on their own self-titled imprint, and have set their sights on breathing new life into dusty obscure soul funk disco and boogie nuggets. superbreak s dj style reflect their productions, the all action, diversity and the constant surprises at every turn, is where its true strength lies, combining slo-mo boogie, groove laden disco, quality house, 70s funk rock and party funk/boogie and always adept at reading the crowd thanks to combined decades plus experience behind the decks, they pride themselves on getting the crowd moving, whether they re into boogie bombs, sleazy deep house, party funk or deep house/disco.

t.v. baby is a project that came to life during 2016 in a makeshift hideaway deep within a remote corridor of industrial new york city. the romantic isolation of their decaying surroundings leant its vibe to the otherwise occupied musicians as they intuitively explored their formative musical experiences, while playing at shifting their roles around within the band. from these changing dynamics the close friends debut album dignity dont dance was born. it comes on the label deus records, an imprint that continues the great independent ny tradition of dropping highly danceable music with rootsy, rock n roll swagger.

much has happened since stereofysh released their debut album - the race , which has been received very positively by music critics. groove magazin described the album - fresh as a daisy , and - simply congenial , faze magazine as - made with love and - excellent result , freshguide found that the album - held the spirits high and set the bar even higher . features in intro and missy followed. dasfilter wrote: - stereofysh lets the elements melt into dreamy poppy house, that unfolds is magic as much on the dance floor than it does when hanging out at the next river bank. two years later, the latest output of the family band is available in the stores. their second album is a very personal one. the sound of the album is not only inspired by their life in berlin, but also their tour through the united states and hawaii, where they introduced the album to an international audience. important to know that the name of their new album, ohana, is an essential part of the hawaiian culture representing the importance of family and friendship connections, the company and coherence over generations. stereofysh themselves describe that the album has lead them to their musical and familial roots in a very special way. being on tour together, the shared experiences onstage and backstage have brought them closer together. this also shows in the music and lyrics of the ohana album: towards more closure, even intimacy. so the songs have gotten both, more exuberant and more melancholic. little daily life stories have their spot, so do the bigger puzzles that keep the band s minds busy. the optimistic and hopeful message, that the band radiates in spite of it, is, again, truly refreshing.

german producer hosh kicks off his new label fryhide with a free to download continuous mix that is made up of all his own tracks. called stories from sa talaia, the album is out on may 25th, but tracks from it will also be released as four individual eps on the label. now comes the first one featuring four fine efforts that showcase his broad house style and find the ibiza based, diynamic associated producer in the form of his life.

juxta position flexes his techno muscles over these four cuts of idm influenced dancefloor weapons. previously featured on dvs1s mistress recordings, rhythm nation and his own failsafe imprint, the gloves come off on his release for developers modularz imprint. razor sharp percussion grapples with melancholic synth lines, whilst serious sub bass shifts much air and shimmering moods filter across the mid range. play it loud!

the second release from producer eomac’s new dublin-based label eotrax comes from nomadic irish producer lair. this is an exciting step for the label, moving away from the dancefloor into more diverse, eclectic territory. lair is a producer far from the norm, especially for those releasing on an electronic music label. she classifies herself as a composer, producer, vocalist, artist, sound-healer and yoga teacher. with a diverse background that includes singing classical and traditional material shes expanded her artistic approach into a diverse web-like multi-disciplinarian approach in keeping with her nomadic life. currently she creates electronic music, contemporary classical music and healing music under a variety of alias including laura kilty and luminousounds (for healing music). she is also in the duo noeverything with eomac. in her words my lair music is how i see the world - this one and others channeled - expressed through layers of my vocals which i shape electronically. the music has elements of mysticism, sacred geometry, energy, sound with intention and just sounds i love formed to make music i love. i see music as i create it. i work with lots of layers - for me its like creating an aural representation of the image i see. these layers of sound can be found in her debut self-titled ep in the deep, ritualistic drones of invoke and meld on the a-side, and the more concise rhythmical patterns of searching in circles on the flip.

bottom forty s fifth release and second vinyl press showcases two french producers living and banging the drums in berlin, a long time bottom forty favorite, la fraicheur, teamed up with veteran producer and leonizer record label ownerleonard de leonard. la fraicheur, a producer of emotional and story-telling minimal techno, is seen here paired with leonard de leonard to turn up the heat on our first club-banger release track, -afraid of the groove-. la fraicheur and leonard de leonard beat the hell out of their analog elektron to lay out a relentless whipping melody that demands a twirling dance floor while a classic minimal bass line, rhythm and -she s uh-fraid of the groove- sample keep this track dark, dirty and underground. in a beautiful contrast to the heart-pounding a-side, flip to the b-side for -une place au soleil-. literally translated as -a place in the sun-, the saying is more about conveying the emotion of your hard work is putting you in a good place in life . -une place au soleil- is a gorgeous deep house track filled with teasingly melodic stabs and subtle hardware sounds that come and go, crashing on the record like powerful but soothing waves on the hot beach sands. while -afraid of the groove- may twist a peak-hour dance floor into a frenzy, -une place au soleil- will entrance them in the after hours, reminding dancers why electronic music is so beautiful and why dance floors can carry so much emotional release.

following the edge & void, french producer and goldmin music label owner romain lanteaume aka einka delivers his first album to waken doubt in one.

lowfreq77 is taking no prisoners as he steps up to deliver the second release on summa cum laude. the italian producer has only emerged in the past few years, despite having dedicated a great deal of his life to producing music. it was clearly worth the wait 1804 is the kind of fist thumping techno that leaves no body motionless as it rips its way through the dance in a hail of relentless claps and nagging synth hooks. rails meanwhile amps up the robert hood style twitchy loops, making this a techno record for those who like their beats pure and unrelenting.

the snooze fest is over and we’re back in the saddle with the first output from colin la plante aka the mole aka half owner of this imprint. he’s been touring up a storm and playing out a lot of new music we’re excited to share with you this year.
spicy noodles are something colin thinks everyone can love…not one at a time…but by the bowl.
this four tracker definitely shows off “new directions” for the mole – nothing too outlandish mind you, but the path he chose with the title and crowd favourite “gelb grun blau” definitely has these tracks leaning towards the centre of a dj sets vs. beginning or end…spiralling kick drums with a fine grind blend of digital synths, analog synths, drum machines and the occasional samples here. vape-house anyone?
the closer “back in the studio game” is a beatless one created just for the sunrises of your life.

trudge joins the of paradise family with his buried hopes ep, a four-track journey into the heart and mind of one of the most exciting young producers currently working in electronic music. brimming with his signature brand of focused, emotionally charged and room expanding electronics, buried hopes perfectly captures the euphoria and fragility of life.

haz mat, hailing from detroit, may not be a household name yet, but just wait. his vinyl debut is people of earth’s seventh release. a three track ep that is as rounded as it gets. deep, techy, soulful & a bit of disco for kicks. my zania has lush chords that morph into a tech masterpiece. bridge to the universe straight deep & techy jam. lastly groove of life is just that. instrumentals & disco riffs, daytime vibes & smiles

dusky present the latest 17 steps release with the cold heart ep, a four track package that cements their ability to craft a unique range of house and techno soundscapes. having spent last year releasing their outer lp, as well as delivering their second acclaimed essential mix and touring a new live show, the cold heart ep sees the prolific duo return to their roots in textured house and techno with four powerful dj tools. with a nod to vintage new york house through a carefully sourced vocal sample, lead track cold heart is a blissed out, atmospheric house epic that blends crisp percussion, soulful hooks, washing pads and a hypnotic lead organ melody. a favourite from the duos recent dj sets, psychic life coach shuffles with dubby grooves, skippy drums and ethereal vocal cut-ups, before bowed offers a high energy dose of cosmic disco and ravey techno flavours, rounding things off, closing track balfour betty is built around warm, swirling synth textures that meet at the intersection of detroit techno and vintage progressive trance.

for over two decades, dread recordings have time and time again maintained their seminal output with every release. managing to present a crossover of old school and more modern day techniques, they’ve given fresh life to the jungle riddims which made drum & bass so prominent during its inception. and for this subsequent release, label head honcho ray keith steps up to the plate, bringing with his a deliciously rolling selection of bass heavy proportions. with a massive back catalogue and an even more impressive roster, the figurehead’s addition goes on to expand the credibility heralded by both the artists and imprint. dread recordings continue to impress, with a history documented through their stellar releases.

limited rsd 2017 release.

“fly with me” glides effortlessly through west coast aor in a unique hybrid japanese-hawaii fashion, uplifting the listener with inspiring sound and lyrics. “time machine” is high-energy cosmic disco jam that lends itself to japanese enka, yet maintains its playability through simple yet strong songwriting. whenever we listen, it’s as if aiko has invited us to join her as she soars through the after-life, flying “higher and higher as a bird”, traversing a space “where anything is possible”.

monosoul is back on tieffrequent with 4 timeless and classical cuts focussed on the important elements of housemusic...with love for the dancefloors, clubs and basements of this universe... on the a-side you have „make em match“, a rough and steady house-groove containing a constantly bouncing bassline, a deep chord-pattern, a complex percussion-cluster and a well infixed electric piano...all elements are perfectly balanced, finalized and formed to a completed floorfiller. then there is „monument street“ after which the ep was named. starting really deep and minimalistic it developes to an impulsive und powerful song. organic pads, pulsating deep chords, a rhythmic bassline and well arranged drums make „monument street“ flowing impressively from start to finish. the b-side starts up with „hot concrete“, a blazing, drum-driven basement-groover. with a sharp deepchord which is wrapped-up in several padsound-patterns, monosoul creates a very own athmosphere. in combination with an impulsive bassline and a distinct percussion- ensemble „hot concrete“ beats time on the floor noticeably. finally „life on the red island“ as the perfect final track brings the „monument street ep“ to an end. it builds up by adding small bits and pieces very subtly to a point you recognize a pulsative deephouse beauty. the remarkable bassline and the concise and bouncing kickdrum are casted in a flowing deep sounded carpet full of hope. „life on the red island“ disappears to where it came from and leaves you with strong impressions. the „monument street ep“ gives an insight into monosoul s impressive understanding and definition of house music which you can hear on 4 tracks loud and clear...thank you!

a-side fully hypnotic, frontal, skeletal & static live drum track with dubbed vocoder throughout the whole side. helsinki s jesse duo with a special non-album track from their album sessions produced by dj sotofett (upcoming lp on keys of life). on the flip lns collaborates with dj sotofett for a shimmering and pad warming ambient track kept coherent by liquid driplets of echoed synths at the beginning and later the tickering & harmonic arpeggios.

following celebrated compilations from motor city drum ensemble and young marco – and with the second edition of its limited-capacity festival in croatia right around the corner – dekmantels selectors series now continues with an edition curated by marcel dettmann

following last year’s much-acclaimed solo album “mondo alterado” (hippie dance 08), original pachanga boy and hippie dance mentor rebolledo returns to the limelight with the jam-packed mondo re-alterado (hippie dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. artists such as superpitcher, dj tennis, maceo plex, red axes, fango or fantastic twins deliver stunning takes on rebolledos’ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations.
from the super-energetic club rumblings of maceo plex’s discotico plexico to dj tennis’ dreamy pimiento drive version of a numb gas to the future or fantastic twins’ party bomb fantastic pow pow, the journey through mondo re-alterado is full of twists and turns – a world where an epic, cinematic soundscape such as superpicher’s rainboy super space sits comfortably alongside the claustrophobic, punishing banger that fango sculpted from stand-out cut “pow pow”.

meanwhile, red axes turn the casual narrative of “life is strange, life is hard, life is great” into a bouncing workout – a great companion piece to want, danny daze and shokh’s propulsive, jagged dub version of “fears come true”. other highlights include jörg burger aka the black frame with the lush black rainbow woman, paulor’s country rock extravaganza discotico desertico and not one, but two excellent contributions from former italians do it better honcho mike simonetti. it’s a magical, surprising ride that finds beauty in contrasts – while staying tuned to rebolledo’s spirit of adventure and powerful sense of style.

the first release on youth - a new label from andrew lyster, comes from portland based artist yard. hailing from the dark woods of the west coast of the united states, yard brings together a collection of tracks from the archives alongside some new material. canopy and white fog were originally released on the album deciduous flood plains, and have been reworked for this release. marshall acid is pressed to vinyl for the first time having previously only been available digitally via event horizon. yard’s gritty sound evokes a spectrum of gnarled city life to organic atmospheres. the release comprises of field recordings, micro-cassette mangles, bass kicks, a live jam between x0xb0x and a modded tr-606 and water drops percolating through the mixes to get that urban hum and grit running up against the forest.

after years of releasesing tapes and collaborating with artists from seattle and beyond, budget cuts is proud to announce the launch of our vinyl series. decoy’s lake city way ep is a celebration of seattle and life. the material on the ep features four original tracks of vibrant techno, which range from the melodic “glide synth” to the intensely polyrhymic “heavy track”.

florian kupfer, after a string of prestigious releases on ron morelli’s l.i.e.s. and russian torrent versions imprints, willie burns w.t. records, rush hour and ninja tune’s technicolour sub-label (lest not forget that white label sade bootleg), returns with a three track ep on private persons.
this 12 inch tells us the story of the beginning of florian’s career - his travels, dreams and of course love. title track “post present”, recorded for the first time five years ago get’s its first cut into wax. eerie, other-worldly voices reach over a kicking, distinctively kupfer-esque rhythm track. “i can’t love life without u” is a dub drive through retro-futuristic heartbreak and “&#1051,,,&#1102,,,&#1073,,,&#1086,,,&#1074,,,&#1100,,,” an ambient tip into the subconscious.

25th anniversary reissue of en vogue’s second studio album, originally released in 1992.

music from the 2005 motion picture “pride & prejudice” on 180 gram vinyl with download code included.

!! 50% deal !!!new york by way of miami, nick klein has strung together an impressive discography over the last couple years releasing music for alter, ascetic house, and bank among others, while at the same time handling his own primitive languages imprint bringing to life music by a wide range of cellar dwelling freaks. some time in the making, we now see klein with his debut on l.i.e.s. displaying, over four tracks, a wide range of production styles, each effective in their own right. from side-chained jack to peak red drum work outs to computer based minimalist bit destruction this ep proves to be a crushing statement from an artist coming into his own

molotov represents the best elements of its creators, brooklyn rapper, saga and chicago producer, thelonious martin. the rhymes are potent and powerful, taking down everyone from cynics to haters, wack emcees, and inner demons. and the instrumentals serve to bring those words to life by way of head-nodding percussion, and slick sample flips.

ltd 2018 repress - be fast... cant help it is the new single from stockholm hyper-talent baba stiltz, who builds on gently howling synths, laser-cut percussion and his own voice, as sweet and distinct as ever, to create instantly life-changing dance pop music.

w!ld delivers 4 unreleased remixes he did for sis, gsm, alex m for number 18 in the w label series. these 4 remixes show dj w!lds versatility. going from detroit electro through to house

incl dj spun remix

nice price deal !!! fans of the classic subwoofer record label or deep4life recordings understand that the moonchildren and their spacey-yet-groovey collection of electronic music are just a regular part of the chicago deep life. with exception of special guest jalal ouissal, the other characters who ve made appearances are honestly just different chris gray personalities, he confesses.

framed by two spoken word samples and wrapped in house and techno emotions, that know about electro and 90’s electronica too: the new, second album of the leipzig and berlin based producer and live artist martin enke aka lake people moves in a fresh way. this time he shifts towards a focus on the essentials of electronic club music: sounds and groove, rough and playful interweaved with the aesthetic particles of techno. with his “point ep”, released on the berlin based imprint krakatau records in late 2012, his creative life as a producer for melancholic driven club tunes took off. several top notch djs played the tune “point in time”, lake people started to tour world-wide with his mesmerizing live set and produced countless remixes for colleagues from all around the globe. in 2015 he finally released his first album “purposely uncertain field” on the munich based label permanent vacation and delivered eleven tracks at the interface of techno, ambient, experimental and electronic, that bewitch with hymnal chords, yearningly melodies, detailed production, elaborate sound design and an overall introspective, emotive feeling. now, just shortly after he published a fresh ep on the dresden based imprint uncanny valley, lake people drops “phase transition”, a new album consisting of ten haunting tracks full of dance suspense. he recorded all between 2016 and early 2017 on various vintage analog synthesizers, uad and other creative interfaces. to find out if his latest pure slamming tracks work deep, he tried them out during his live shows in order to catch some new ideas directly from the dance floor.

the opening track from the award-winning toy album has been extensively remixed by andrew weatherall. frautonium is andrews favourite track from toy and hes produced four very different mixes covering electro, house, minimal and cosmic disco. with a wide-screen ambient version from ian tregoning. limited edition of 1.000 copies and released only in the uk as a double 12inch

since the millennium 2raumwohnung unites electronic sounds and pop melodies in a variety of ways. the early singles wir trafen uns in einem garten (2000) or 2 von millionen sternen (2001) playfully communicated the life-style of a new berlin. the duo, consisting of inga humpe and tommi eckart, started as a studio project and continued to develop via eight album productions. at the same time, an important impulse included developments in techno or house music. their most successful album 36 grad stayed in the german album-charts for 33 weeks, 2raumwohnung continued to expand their stage range as well.

22 years ago saw the release of goldie’s debut album ‘timeless’ which truly changed the face of drum’n’bass, hardcore and jungle. the seminal record featured the iconic track ‘inner city life’ - the vocals for which were performed by the late diane charlemagne. in 2011, the guardian described the release of ‘timeless’ as one of the -50 key events in the history of dance music-. mobo award-winning songwriter, dj, producer, visual artist and actor goldie (mbe) will release a new double album ‘the journey man’ on june 16th, all written and produced by goldie. collaborators on ‘the journey man’ album include vocalist and songwriter natalie duncan, terri walker, tyler lee daly, natalie williams, jose james, naomi pryor as well as goldie’s wife, mika wassenaar price. goldie is also one of only a handful of artists ever to co-write with david bowie – on the track ‘truth’ from the drum‘n’bass pioneer’s second album, ‘saturnz return’ released in 1998. the album also featured distinguished collaborators such as noel gallagher and krs-one. goldie will be performing an exclusive, sold-out set of shows at london’s esteemed venue ronnie scott’s on 24th and 25th of february, where he will be performing with the heritage ensemble along with ‘the journey man’ vocalists terri walker, tyler lee daly and natalie duncan.
the triple vinyl release includes a download code for the full album plus 12 bonus instrumental cuts - “the instra suites”.

more space age melancholic sounds for the second instalment of the craigie knowes universal broadcast series. electro to techno across 4 celestial beats.